The monument to Maksim Bahdanovich, a famous Belarusian poet, was unveiled on December 9, 1981, to commemorate the 90th anniversary of his birth. This bronze figure, 4.6 meters tall, is located on a pedestal made of red granite and depicts the poet with his arms crossed over his chest and a bouquet of cornflowers in his right hand—flowers he particularly loved and wrote about in his poems.
The monument was created by the talented sculptor Sergey Vakhar, in collaboration with architects Yury Kazakov and Larisa Moskalevich. It is important to note that Vakhar is a great admirer of Maksim Bahdanovich’s work and had previously created several of his portraits, which formed the basis for this monument.
In 2008, the monument was sent for restoration, which caused public discontent and protests, especially among opposition circles, who compared this event to the replacement of the white-red-white flag after the 1995 referendum. As a result, the monument was reinstalled in June 2008, slightly northwest of its original location, closer to the poet's birthplace, and turned to face the Svislach River.
Maksim Bahdanovich, despite his short life (he passed away at the age of 26), left an indelible mark on Belarusian culture and literature. His first work, the short story "The Musician," was published in 1907, and his only lifetime collection of poems, "A Wreath," was released in 1916. The themes of his work encompass love for the people, a challenging fate, and deep lyricism, making him one of the founders of the Belarusian literary tradition.
Today, Maksim Bahdanovich's work continues to inspire not only in Belarus but also beyond its borders. Some of his poems, such as "Slutsk Weavers" and "Star Venus," have become folk songs. In Minsk, there is also a museum dedicated to his life and work.
The monument is situated in a picturesque corner, not far from the historic center of the city, and is an important part of literary and cultural tours in Minsk. It has become a meeting place for tourists, theatergoers, and lovers, and the atmosphere of the Trinity Suburb only emphasizes the significance of this monument. Here, illuminated by yellow streetlights, the silhouette of the monument looks especially romantic, inspiring reflections on the poetry and life of Maksim Bahdanovich.
This monument is not just a tribute to the great poet but also a symbol of the deep connection of the Belarusian people to their cultural heritage. Visiting the monument to Maksim Bahdanovich is an opportunity to touch history, feel the spirit of Belarusian poetry, and remember those who have left a bright mark on our culture.