Moscow to Renovate Nine Theaters by 2030: A New Era for Theatrical Art

Moscow, known as one of Russia's leading cultural centers, continues to actively develop its theatrical infrastructure. City Mayor Sergey Sobyanin announced plans to renovate nine theaters by 2030, including iconic venues such as the Moscow Operetta Theater, Hermitage Theater, and Taganka Theater. This ambitious project promises not only to improve conditions for both audiences and performers, but also to give a new impetus to the development of theatrical art in the capital. In this article, we will outline what has already been accomplished, what changes are planned, and how the city supports the theatrical community.

Large-Scale Renovations: What Has Been Achieved So Far

Moscow's theaters have been in the spotlight of city authorities for several years. Since 2013, the capital has undergone extensive work: the construction, reconstruction, restoration, and major repairs of 103 buildings and premises in 41 city theaters have been completed. Each renovation was accompanied by comprehensive modernization — modern equipment and technologies have enabled directors and performers to realize the boldest creative ideas. These changes have already borne fruit: last year, Moscow theaters organized over 24,000 events, including 259 premieres. Audiences highly appreciate the quality of the productions and the comfort of the renovated halls, as evidenced by the growing popularity of the theaters. Now the city is embarking on a new phase — the renovation of another nine theaters over the next five years. Among them:

• Moscow Operetta Theater — a legendary venue known for its musical productions.
• Hermitage Theater — an intimate theater with a rich history.
• Taganka Theater — an iconic place associated with the name of Yuri Lyubimov.

These theaters will become modern spaces where traditions will blend with the latest technologies.

Supporting Talent: Investing in the Future of Theater

Building renovations are only part of the program. Moscow actively supports the theatrical community, especially young professionals. The All-Russian "Talents" competition helps to form a talent pool: its winners get a chance to take up positions as artistic directors or theater managers. This opens the door to fresh ideas and new names. For the creative youth, several initiatives have been launched simultaneously:

• Open Stage Grant Competition — young directors and playwrights can receive funding for staging plays and musical projects.
• Directors’ Laboratories Project — provides theatrical venues for creating sketches of performances, helping young talents experiment and hone their skills.
• Moscow and Muscovites Play Competition — in 2024, the authors of the three best plays were given the opportunity to stage their works in the leading theaters of the capital.

These programs not only support emerging professionals, but also enrich theater repertoires with contemporary works.

Financial Support: A Billion for Creativity

Since 2016, Moscow theaters have received over 1 billion rubles from the city budget in the form of grants. These funds have been used to create 297 creative projects, 35 of which were realized in 2024. Such financial support allows theaters to stage ambitious productions, attract talented professionals, and experiment with different formats.

Why Is This Important for Moscow?

Moscow is home to about 250 theaters, of which 64 are city-owned. Their renovation and support are not merely about improving buildings, but an investment in the cultural future of the capital. Modern theaters become hubs for residents and tourists, and new opportunities for artists contribute to the emergence of striking productions. Audiences are already noticing the changes: comfortable halls, high-quality sound and lighting, as well as a diverse repertoire, make a visit to the theater a truly special event. The plans for 2030 promise to amplify this effect, transforming Moscow's theaters into world-class spaces.

What Awaits the Theaters by 2030?

The renovation of nine theaters by 2030 is part of a long-term strategy for developing Moscow's cultural infrastructure. Each building will be equipped with modern technology, opening up new horizons for directors and actors. At the same time, the city maintains a balance between tradition and innovation, supporting both classic productions and experimental projects. This process is not only about renovating buildings, but also about creating conditions for creativity and inspiration. Moscow reaffirms its status as a theatrical capital where art is accessible to everyone.

Conclusion

The plans to renovate nine theaters by 2030 are a step towards strengthening Moscow's cultural potential. The reconstruction of buildings, financial support, and focus on young talent create a solid foundation for the development of theatrical art. Residents and visitors of the capital will be able to enjoy performances in modern halls, and artists will have everything necessary to realize their ideas. Moscow continues to be a city where theater lives and thrives.